Post by account_disabled on Mar 5, 2024 7:23:29 GMT
They are two extreme examples, diametrically opposed. Yet, if we try to understand that behind the veneer of an everyday life that is always the same, there are many people and lives to tell, we will find something exhilarating and convincing even in the anonymous life of an employee or a professor. It is no coincidence that “Stoner”, a novel by John Edward Williams, manages to be superlatively compelling despite telling the life of a person to whom nothing sensational has ever happened. How do you build a character like this? Scanning his physical appearance, his behavior, his history and his background, imagining his goals, his passions. In a word, drawing his conflicts About him.
Conflict is a very important component of each of our lives. It is often Brazil Phone Number thought that conflict should be avoided; on the contrary, I believe that it should be reasonably sought, as a driver of change. This applies at all levels, individual and collective. It is no coincidence that the word emotion indicates the ability to set in motion, to move, to shake. Our characters must be able to shake the reader : this is why it is important to identify their explicit or latent conflicts. Over time we will realize that this exercise helps us identify our own. I often propose this exercise: starting from a photograph of a person you don't know, without any additional information, based only on what you see, describe their life, their emotions, their desires. Once you've written your first draft, let it settle for a day or two. Then reread it and ask yourself what relationship there is between you and the person you described.
Can you suggest 3 exercises to train creative writing? Premise: always carry a pen and notebook with you to take notes. First exercise: observe a sunset, a river or simply people walking in a square or sitting next to you on the bus. Concentrate exclusively on your breathing and what you see, imagining yourself “breathing” the scene. At some point, you will hear words emerge. Write them down, start from there and start writing freely, without purpose. Without the obsession of achieving some result. Second exercise: choose a letter of the alphabet - for example S - and, in complete freedom, write sentences that contain as many Ss as possible. Third exercise: listen to a song sung in a language other than Italian several times. Try replacing the original text with one of your own, which maintains the same rhythm as.
Conflict is a very important component of each of our lives. It is often Brazil Phone Number thought that conflict should be avoided; on the contrary, I believe that it should be reasonably sought, as a driver of change. This applies at all levels, individual and collective. It is no coincidence that the word emotion indicates the ability to set in motion, to move, to shake. Our characters must be able to shake the reader : this is why it is important to identify their explicit or latent conflicts. Over time we will realize that this exercise helps us identify our own. I often propose this exercise: starting from a photograph of a person you don't know, without any additional information, based only on what you see, describe their life, their emotions, their desires. Once you've written your first draft, let it settle for a day or two. Then reread it and ask yourself what relationship there is between you and the person you described.
Can you suggest 3 exercises to train creative writing? Premise: always carry a pen and notebook with you to take notes. First exercise: observe a sunset, a river or simply people walking in a square or sitting next to you on the bus. Concentrate exclusively on your breathing and what you see, imagining yourself “breathing” the scene. At some point, you will hear words emerge. Write them down, start from there and start writing freely, without purpose. Without the obsession of achieving some result. Second exercise: choose a letter of the alphabet - for example S - and, in complete freedom, write sentences that contain as many Ss as possible. Third exercise: listen to a song sung in a language other than Italian several times. Try replacing the original text with one of your own, which maintains the same rhythm as.